عجم زنده کردم بدین پارسی
Four endeavors,
from the archive to the algorithm.
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A name built as tilework.
Square Kufic — the calligraphy of brickwork and glazed tile — reduces a word to right angles a mason could lay. The same geometry that faces the Registan spells Zehni here, on a 12 × 14 modular grid.
Words that walked the Silk Road
From the bazaars of Samarkand, Persian words traveled the caravan routes into the everyday speech of the world.
Turaqul Zehni
The foundation takes its name from Turaqul Zehni — a pen name, from the Arabic zihn (“mind”), of the scholar born Narziqulov, who also wrote under Somoni, Rustam, Mushfiqi, Quchqor and Mullo. A linguist, poet and lexicographer of Tajik–Persian, he taught the first Soviet Tajik generation through grammars and readers printed first in Arabic script and then in the new Latin, made the first Tajik translation of Gogol’s The Overcoat (1928), co-compiled the two-volume Dictionary of the Tajik Language (1969, some 45,000 entries), and wrote San’ati sukhan (“The Art of the Word”), the poetics that became a standard university text for generations of Tajik philologists.
Across a career reaching from the 1920s into the 1980s and more than three hundred articles, his lifework spanned all three alphabets in which Tajik was written within a single century. The Zehni Foundation continues that work: conserving and digitising the historical lexicon he helped build, supporting the poets, teachers and lexicographers who keep the language spoken, and funding the fonts, keyboards, corpora and language models that carry Tajik and its neighbours into the computational age.